Thursday, August 25, 2011

Of blame games and abstractions

Enough words and electrons have been wasted in the digital world about the current Anna Hazare movement in India, so I won't add to it. But the arguments offered in the whole debate are ....interesting. Let me offer some symptoms:

1.
Arundhati Roy's article in the Hindu: "...(Anna Hazare has said) Nothing about the farmer's suicides in his neighbourhood, or about Operation Green Hunt further away. Nothing about Singur, Nandigram, Lalgarh, nothing about Posco, about farmer's agitations or the blight of SEZs. He doesn't seem to have a view about the Government's plans to deploy the Indian Army in the forests of Central India...."

2.
The insinuation that since Anna Hazare was himself held guilty for maladministration he is not entitled to lead such an agitation.

3. A rediff article on Anna Hazare and reservation: " ...Dalit, Adivasi and religious minorities are curious to know why Anna Hazare and his followers did not care to go on a fast when heinous atrocities were committed against their people ...", "...When the joint drafting committee for the Lokpal was formed and five members from 'civil society' were nominated for this purpose, not a single one of them was found to be from among the Dalits, Adivasis or religious minorities! ..."

(I'm tempted to add here that the existing categories of reservation far exceed the number 5)


If I interpret them correctly, the suggestion is that a person is qualified to demand action on corruption only if he/she is found to be squeaky-clean in absolutely all spheres of his/her life, and only if he/she also and with equal force demand solutions simultaneously to many or all of our other problems.

The first suggestion is Utopian. Great individuals don't reveal themselves in premonitions. The flagbearer of Indian great men, Mahatma Gandhi, was hardly known to the common peasantry in India until he moved back from SA (i.e. until he was over 40). Sitting in anticipation of that one divinely endowed person to take birth and solve our ills is a fruitless exercise, and hence such a demand smacks of nothing but procrastination. Since the basis of the current movement is pervasive corruption, I think it would be a good first step to concede that the person(s) eventually instrumental in mitigating it would have some dirt on their clothes. We cannot be so impossibly purist about this when we are so hopelessly accommodating about which worthless politician gets our vote. It sounds like a plot of an 80s potboiler where actors alone were enough to identify who the good and bad guys would be, so sharp was their distinction in the movie plot.

I find the second suggestion precariously rope-walking between specious and ludicrous. Let alone India, there was not, is not and will never be a country that suffers from only one problem. Suggesting that the fight against one ill assumes legitimacy only if accompanied by simultaneous and equal fights against all others is tantamount to admitting that no progress can ever be made. Such suggestions coming from learned social activists is even more disheartening. It falls flat in a very simple way: neither Ms. Roy nor the social activist have ever voiced their opinion as passionately about corruption, so they must not be serious about Adivasis or Dalits either. Such statements are made to refute claims of the movement being pan-Indian. Even Mahatma Gandhi will not pass such a stringent test, because if one considers geography about 30% of the Indian land was governed by princes during his time (who at best were indifferent to the freedom struggle), and if one considers population the set of people opposed to him then constitute two entire countries today.

Nothing good will come out of one passionate activist opposing another passionate activist over issues that have little to do with issues, more with personality. Do I trust Ms. Roy or Anna Hazare? Not necessarily. But does corruption cease to be an issue because other issues exist? A fight against corruption cannot be put down solely because someone who you disagree with happens to support it. Gauge the issue on merit, not on the words or background of the supporter.

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Then there is the second argument, represented by pieces like these. I call them the "academic mirror-show-ers". They exist not only in political commentary, but every aspect of life! The opinion of choice here is that the solution for every ill is "a systematic framework, a general awareness, a common resolve by everybody, a collective moral upliftment" and the likes. If anybody talks about a problem with "the system", show them a mirror to prove that the system is after all our own reflection and thus we need to improve, possibly before wanting to change the system. All noble aims, but when voiced during a movement like this, misconstrued as "maintaining status quo". Nobody can dispute that such changes will indeed eradicate all our problems. But the fact that it hasn't happened yet could perhaps mean that it is well-intended but impractical. So are there only two alternatives: status-quo or complete transformation?

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No movement is complete without the call to the memories of our ancient leaders, freedom fighters, etc. and associating with them. At what point do we stop limiting our memory of history to only the fighters and leaders while forgetting our past mistakes? History not only teaches us what to do, but also what not to do. Its high time we elevated our past leaders beyond the status of "keywords" and actually solve something without resorting to the "crab" mentality.


Monday, August 01, 2011

Harry Potter 7.2: the review

Saw the last of the Harry Potter movie series two days ago. I would summarize it as "(Small) Hits and (Big) Misses".

HP 7.2 is a Harry Potter movie made mostly for Harry Potter loyalists (a reasonably sound strategy since that is a big big club!). The movie has a sense of inevitability around it. Everybody knows Voldemort is going to die and Harry Potter is going to emerge victorious. Everybody also knows the path to his death: the Horcruxes. Since the books are so wildly successful, the movie makers didn't really have a lot of suspense to reveal in the movie. While that is true for all HP movies, it is especially true for this one because everybody knows the end of all good vs. evil stories.

First, the hits. The CG effects in the movie are pretty good. I must say they are much more inspired from the Mummy movies than previous HP movies (the bad guys don't just die, they literally disintegrate). A few significant parts of the last book were well depicted in this movie, most notably Snape's memory and the Room of Requirement parts.

The biggest disappointment of this movie is the complete lack of closure. One of the biggest strengths of the HP series is how the author has managed to weave together the most innocuous of occurrences and give everything significance, that are finally revealed in the last two books. The last book obviously has some big ones, that the movie sadly ignores or merely glosses over. The biggest disappointment by far (spoiler alert!) is the killing of Voldemort. After 6.5 books of hardships, killings and torture, the bad guy is finally supposed to die. Lots of lovable characters have been killed in the process. The book offers a modicum of redemption for those alive by killing Voldemort in full view of all the survivors. Harry reveals at least some secrets before killing Voldemort for everybody to comprehend. Nobody including Harry knows whether he will succeed until about 2 paragraphs before he does, because it is all conjecture and hearsay for him. Unfortunately the movie decides to make the climax a personal and very short duel between the two, with nobody around. Harry tells nobody anything afterward, and nobody seems even a little bit eager to know either. Harry gets no redemption from revealing to Voldemort part of what he knows about him. Nagini's killing is simply a "oh here's a sword that magically appeared, there's a snake, let me put 2+2 together" rather than a "passing the torch on" moment that the book depicts. The biggest whopper of a revelation, the story of Severus Snape, is left for only Harry to appreciate. The book scripts a rather boring death of one of its most sadistic characters (Bellatrix Lestrange) by pitting her against the unlikeliest of rivals. Instead of spicing up this part, the movie only enhances its mundaneness. The rise and fall of each character that fits into the whole saga was portrayed quite reasonably by earlier movies, and this movie just makes the end too obvious for anyone to actually watch and enjoy. Its like watching the 4th or 5th sequel to Jaws: just going through the motions of showing a story the movie already assumes everybody in the audience is well-versed with.

For somebody who has never read the books, the movie may make some sense but only as a traditional brainless action movie. The essence of "action with a deep, complete story" is missed in such an experience. The mystery of why Harry Potter repeatedly survives so many assassination attempts that the last book explains (a bit implausibly) is replaced by "enough of the bad guy, this time the same duel with the same red-and-green light is going to inexplicably and fatally backfire" in the movie. And no curse names this time: the duel resembles that in the Ramayana, with the viewers only wowing the visual effects and not hearing the curse names that the books have familiarized so much. (And for those who have not read the book, there is significance attached to the actual curses used in the final duel).

This movie also takes the most liberties with changing the story line than what I remember from the others. Most of the deviations make sense in the movie, and in any case what the movie omits is much more sinful rather than what the movie changes. I was hoping the movie does deviate from the book in the end by publicly revealing more about Voldemort, but the movie went the completely opposite way.

And why is this movie called "Harry Potter and the Deathly Hallows: Part 2"? The Deathly Hallows are almost absent in reel time and significance in this movie! The conversation between Dumbledore and HP while "in death" is critical to the title of the movie and to many mysteries, and once again, comes off as two characters mouthing off the keywords from the book chapter to merely preserve continuity.

Thus, the movie disappoints. By reading the books, I have irreparably lost the point of view of the unread movie goer and thus may be harsher than most. However I must reveal that it was the first four movies that finally compelled me to read the books. For a movie series that carried such power, the end was dull.

Every movie that owes its origins to a book is either an ode to the author, tries to effectively depict visually what the book says, or extends the book a bit by using visuals to accomplish what writing could not. The point of making a movie from a book is effective and emphatic storytelling mostly through execution and cinematography, because the script is already out there for everybody to read. There is near unanimity that when it comes to good books, the movies always fall short. This is true about the HP series as well, but the books begged for movie remakes because of their rich visual content. While others in the series omitted nuances from the story in the interest of time and still managed to be self-complete, this last one takes far too much liberty. Neither will it satisfy a Harry Potter fan, not will it "convert" a watcher into a reader like earlier ones did for me.

By the way, for those who have not read the books and/or have not seen the movies, here is my rating on them:

1. Harry Potter and the Sorceror's stone
Book: B
Movie: B
Tip: If you think HP is childish (like I did), don't start from this one as it is likely to enforce that belief.

2. Harry Potter and the Chamber of Secrets
Book: B
Movie: A
Tip: No other book seems so "retrospectively significant".

3. Harry Potter and the Prisoner of Azkaban
Book: Reading...
Movie: B
Tip: Since I haven't read this one, I'm very eager to see how the book is. The story of this book seems the best fit for a movie adaptation, and I'm not convinced yet such a concept can be captured more effectively in writing.

4. Harry Potter and the Goblet of Fire
Book: A
Movie: A
Tip: This movie converted me to a reader.

5. Harry Potter and the Order of the Phoenix
Book: C
Movie: C
Tip: This book and the movie is too slow and not meaty enough.

6. Harry Potter and the Half Blood Prince
Book: A
Movie: D
Tip: The most disappointing of all the movies (the last one comes a close second). The depressing movie replaced the sentiment of the story from a fact-finding thriller to a melancholy inevitability of the end of one of its central characters. The last book is virtually "un-understandable" without this one, so critical is its content to the saga. The movie alas, can be skipped.

7. Harry Potter and the Deathly Hallows
Book: A
Movie: B, C