3 idiots: the review

Aal iz well...with this movie I mean!

Any college graduate will identify with this movie, although it may have a special effect on engineers. 3 idiots is the story of the life of 3 friends in and after college in this era of engineering-mania.

This is one of those movies whose script cannot be effectively narrated through words, so I won't attempt it. It is also not one of those movies that you may want to see again and again. But nevertheless, it is a thoroughly enjoying, enlightening and paisa-vasool movie and has all the usual strengths of its participants, synergistically creating an extremely satisfying 2 hours and 50 minutes of story telling.

The theme of the movie as the promos give away, is the rat race in joining the best college, excelling, then continuing the same struggle with changing opponents throughout life. Albeit in a filmy way, the movie throws light on a subject that is close to my heart--the "manufacturing" of engineers by treating college education like a certificate course that has immediate but short-term benefits. And yes, it does take some filmy imagination and story-telling to get the point across.

But onto the participants. My personal bias towards Aamir Khan forces me to spend only a few words on him in this review. His body language and mannerisms subtract most of the years his wrinkles add, making him a very believable college student in about 75% of the scenes in the movie. Again, perhaps not surprisingly, he pulls off his college mischievous self better than his character's serious side. It is difficult to decide whether he was selected for this role, or the role was written with him in mind. Like Munnabhai's Circuit, it is just plain difficult to imagine any other actor in his role.

Fully justifying the name of the movie are the other two actors: Sharman Joshi and Madhavan. They dispel any fears in the viewer's mind that this would be a "1 idiot and 2 sidekicks" kind of movie. Madhavan is the other chameleon of our film industry, magically adding and subtracting muscle and age from one movie to another. Sharman Joshi once again proves that he's not made just for bufoonery but can convincingly shed a tear or two, and perhaps compel the audience to too. Boman Irani, a regular feature in Hirani's films, entertains, awes but does not surprise us with his good performance. Again, his character will remind each one of us of a former professor, minus the filmy sheen. Personally a bit of a surprise for me was Kareena Kapoor, who otherwise I struggle to tolerate. She looks good and acts well in the smallest of the 5 main roles.

But the grand star of the show is the director and script writer, Rajkumar Hirani. He once again proves his extraordinary knack of story-telling. There's something in the film for all ages: plenty of innuendo for youngsters, interspersed with valuable and practical lessons of life for all. Perfect breaks for songs and the intermission, a watertight script and classic editing, Hirani makes no assumptions about the ability (or lack thereof) of the audience to understand his subtly hidden messages. The smooth flow of the movie truly hides and thus reveals his laudable efforts in script-writing, directing and editing. To me this was a perfect follow-up to his Munnabhai series, maintaining the entertain+think approach with new actors, new scenarios and new lessons.

My only complaint with this venture is its over-publicity. The promos of this movie on TV certainly dampened my enthusiasm a bit, although I can safely say that the promos do not disclose as much of the movie as I had feared. Whether Aamir Khan's recent off-screen antics were truly done for this film's publicity or were his personal endeavours, this film certainly does not need them. The director had me won with his cast and his reputation.

Amit