This character is yet another rehash from DCH: confused lover boy who is the last person on earth (including the movie world and the real world) to realize he's in love with someone. It may have been presented in different versions of modernism: DCH, Salaam Namaste, Hum Tum, etc., but the message is the same. What's more, in this movie he gets to play lover boy twice!
Love Aaj Kal is the story of two NRI's in the UK who date each other for two years, and then split amicably because one of them is about to move to India, while the other plans to move to the US. A split worked out like a business strategy sees both of them wanting to be each other's "friends" and help get over each other! A Jaane Tu Ya Jaane Na breeze takes over as each finds someone else, only in this case the new "other halves" are neither stupid nor abusive. Our "friends" have no qualms meeting and socializing with each other behind the backs of their newly found loves, but one of them finally sees the smoke clearing when she's about to get married. Sanity at last? Nope, their longing for each other continues, until the movie reaches its predictable end.
There are several messages in this story as portrayed by this movie: Everything is really fair in love, be it "pseudo-cheating" or even breaking up marriages. Practical thinking never works when it comes to matters of the heart. There is no such things as being friends after breaking up. The price of the ticket may go up, but the character won't evolve. This is what our generation has come to.
First of all the movie should have been named "Love Kal Parso", because it seemed a bit out there. Am I really part of a generation that can be so fickle and yet think they are the smartest and most practical? It seemed more like Love Story 2050 to me--I could not relate to most of it. To be fair, the first 45 minutes or so did seem fresh and interesting. A lover boy of yesteryears coaching a lover boy of our time, trying to knock some sense into the practical-minded buffoon. After that it started becoming more and more predictable (you know what's going to happen if one of the lead actors gets married, and its not the end of the movie).
About the cast--Saif Ali Khan cannot go wrong with a mould that he has so preciously carved for himself over the last 7-8 years. His make-up keeps getting better as he really looks the authentic Sardarjee in his other role. Was Deepika Padukone's voice always this irritating? Somehow I don't remember noticing it in Om Shanti Om. Rishi Kapoor plays more or less his Hum Tum character with a turban and a different heroine of the yesteryears as his wife. The Brazilian actor was a revelation! (No, not the younger Saif's second girlfriend, the older Saif's love interest!) Her face has enough plasticity to qualify her as a model-turned-actress, but boy did she look her part!
All in all--a mediocre movie. The storytelling from Jab We Met may have been present, but the uniqueness of the script wasn't. Or at least the uniqueness wasn't pleasant.
